The finale of Zorba, as you probably know, is the collapse of the cable railway. And that was shot right towards the end. In fact, it was the last bit of shooting that we did, and that was all staged. We had some... there's two or three cameras in use on part of that sequence. And one of the cameras... actually we got hold of a small Eyemo, which is a small combat camera, basically, which takes 50ft, 100ft of film, and we managed to attach that to the cable behind the log. The logs were on a, sort of, sled. And we made an extension to one of the sleds, or had another sled linked to it, and on this sled we mounted the camera. So you're going down the cable railway, with the log. And then we planned to recover the camera at the end, just before it went into the sea, but we said if we don't, the value of that camera is not very great, so it could be sacrificed if necessary. But we managed to, to catch it before it went into the sea, and the shot is in the movie. A couple of shots. And... then there were some special shots of the... just of the cable... of the towers collapsing and all that. But, as I say, it was almost the last thing we shot and I'd already left the location when I got a frantic phone call or telegram, or something, from Cacoyannis to say the collapse of the cable railway was no good and it's got to be redone. I said oh, well my... George can do it, I'll send George. No, no, no, you have to do it yourself. And there was a big argument. And I said, look, this is an engineering problem, the cameras are set. Any idiot can photograph it, not to call George an idiot, but anybody can do it. But Cacoyannis was absolutely adamant. So I said, all right, all right, I'll come back and do it. And we did it all again. Because in the initial collapse, it was there in one frame and it was not there in the second frame. There wasn't any feeling of collapse, it was just bup, gone. You know like that, like you wipe your hand across, and it's gone. So that, of course, wouldn't do. So that had... so that had to be redone and I came back and we just spent a day shooting the actual collapse.