What makes films art? I've no idea. I know some that are. I mean, you know, it's like... they... the guy, this Supreme Court justice said about pornography, 'I can't define it, but I know it when I see it'; it's... it's that simple, I think, you know. I know that Taxi Driver is something like art, I know Abbott and Costello meet Frankenstein is something like art, I know Breathless and a couple of others like Godard are like art, and they... they just... you just... I don't have any answer to that, beyond that, except... no, I don't, I don't. I mean, I'm sure if I sat down and you... and I wrote down it all, over the night I could come up with some epigrammatic answer tomorrow, but it would not be any more truthful than to say, ‘I don't know it, but when I see it I can recognize it.’ And those movies that I've mentioned are art of some sort, just as some paintings are and some aren't. You know, I mean they're all... there's... well, with painting there's good and there's bad art – in fact, if there was... wasn't bad art, there'd hardly be any – but... and that's... the same is true of movies, but every once in a while you'll see something and say, 'Oh my God, it has changed the way I see a) the world, or b) love', or whatever it is – you know, or comedy, and that's art, and those... every once in a while you stagger on a movie that is, and you shouldn't... it's death to think about it at the time – absolute death to think about it at the time – but later on you find out... every once in a while, 'My God, we really did something quite unusual and surprising and new', and whatever. And art is just a sort of simplest way of saying it. But I can't... I have no answer any better than that.