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Views | Duration | ||
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91. The Girl in Black: The cone light | 43 | 01:51 | |
92. The Girl in Black: Getting arrested | 50 | 02:09 | |
93. The Girl in Black: Post-synching | 46 | 02:43 | |
94. Athens in the 1950's | 65 | 01:21 | |
95. The Girl in Black: The critical reception | 51 | 01:04 | |
96. A Matter of Dignity: Second film in Greece | 51 | 03:34 | |
97. A Matter of Dignity: Dusk scene and filming... | 64 | 03:00 | |
98. A Matter of Dignity: Working with George Antonakis | 47 | 01:20 | |
99. Working for Finos | 46 | 00:40 | |
100. Work for Finos and technical problems | 46 | 00:41 |
They made between 12 and 20 films a year. And he was one of two major... there were two major studios which were, you could say, vertically integrated. They, they did production, distribution... they didn't have cinemas but they had arrangements with cinemas. They had a lab, so everything was processed in the local lab, and I very quickly developed a good relationship with the lab as well. They used to work with test strips, and you used to get sent the test strips, so I can look at the negatives and see if the contrast looked okay. But basically it was all okay. I don't remember any, any, any but minor problems with the labs.
Born in Germany, cinematographer Walter Lassally (1926-2017) was best known for his Oscar-winning work on 'Zorba the Greek'. He was greatly respected in the film industry for his ability to take the best of his work in one area and apply it to another, from mainstream to international art films to documentary. He was associated with the Free Cinema movement in the 1950s, and the British New Wave in the early 1960s. In 1987 he published his autobiography called 'Itinerant Cameraman'.
Title: Work for Finos and technical problems
Listeners: Peter Bowen
Peter Bowen is a Canadian who came to Europe to study and never got round to heading back home. He did his undergraduate work at Carleton University (in Biology) in Ottawa, and then did graduate work at the University of Western Ontario (in Zoology). After completing his doctorate at Oxford (in the Department of Zoology), followed with a year of postdoc at the University of London, he moved to the University's newly-established Audio-Visual Centre (under the direction of Michael Clarke) where he spent four years in production (of primarily science programs) and began to teach film. In 1974 Bowden became Director of the new Audio-Visual Centre at the University of Warwick, which was then in the process of introducing film studies into the curriculum and where his interest in the academic study of film was promoted and encouraged by scholars such as Victor Perkins, Robin Wood, and Richard Dyer. In 1983, his partner and he moved to Greece, and the following year he began to teach for the University of Maryland (European Division), for which he has taught (and continues to teach) biology and film courses in Crete, Bosnia, and the Middle East.
Tags: studio,laboratory, test strip
Duration: 42 seconds
Date story recorded: June 2004
Date story went live: 24 January 2008