For Merchant Ivory productions, you can say that every cent of the budget is on the screen. He doesn't go off buying any limousines and yachts. It's all on the screen. But it's always very tight. It's always very tight. And then I quite regretted... The Bostonians was the last film that I made with James, although I made some more films with Merchant, with Ismail, but not with James, because the next film was Room with a View. For some reason, which I never got to the bottom of, he decided to use another cameraman, and I did a sort of little bit of probing, but I never really got to the bottom of why that was. Because we got on extremely well. We had had our little tiffs, mainly with Ismail, when I was on James' side, I had terrible trouble to persuade Ismail to go to New York in the middle of the Boston shoot in order to get the one or two Central Park scenes in New York before the leaves changed colour. And Ismail said, 'No, we can't, we can't possibly...' I said, 'Ismail, we must do that now, because once the leaves change colour, we can't do it'. And in those kind of circumstances, I was always on James' side. So I don't really understand why that happened. And to this day I don't know why that happened. But that was the last film that I made with James.