The storm sequence, yes. There's a storm sequence in that film which... we had a very short schedule and the storm sequence had to be shot while we were in Cornwall, and that turned out to be quite tricky because of the logistics of it all. First of all, a storm is only believable if it happens in cloudy weather. Well, storms in England tend to be in cloudy weather, so that wasn't a big problem. But having a storm within the schedule, that was the problem.

So we picked a certain inlet, the Bossiney Cove, I think it's called, in North Cornwall, and we did get one day of suitable weather, but only just. So it's a bit touch and go, but in the finished film it's not bad. Then that film was not released when it was finished because it was made with Canadian Tax Shelter money and I discovered that films made with Tax Shelter money, they're not always keen to release them at all. The last thing they want is a big profit. That's the last thing they want. So that particular film... I'd forgotten all about it, when three years later, I was walking past the Odeon Kensington one day, who was showing My Fair Lady, or some other movie, and I was just glancing at the pictures outside the cinema. In those days they still had pictures outside the cinema, and suddenly I looked closer and there was my film, only the title was The Seaweed Children. It'd been released as a second feature, without me knowing anything about it.