The next film I made was in England and was called Memoirs of a Survivor, based on Doris Lessing's novelette. And that is also fantasy, largely fantasy. It takes place in London, or in some city. Actually, it is London, but it's not all that recognisably London. There's a tube station in it somewhere, so it must be London. But, after not... it was misunderstood... a lot was misunderstood because they thought it was after some holocaust event, some atomic bomb or something, but it's not, it's just that the conditions in the city have deteriorated to such an extent. The government only functions off and on, sometimes there's water, sometimes there isn't any water, you buy an egg and when you crack it open it's got a chick inside because it's past its sell-by date. And Julie Christie plays a character who is only identified as D, the initial D. In the credits, it says D is played by Julie Christie. And, it also has an animal in it, which is described in the novel as half cat and half dog, so that was a little difficult to cast. But David Gladwell, the director, whom I'd known since early days of the BFI, when we used to go and see his... he made a series of slow-motion shorts. He's a very clever user of slow motion. All his shorts... nearly all the shorts he made were centred on slow-motion sequences. And this was his first feature, but it wasn't the first time that I worked with him. I'd worked with him a few years earlier doing supplementary shots for a film called Requiem for a Village.