I was writing almost all… almost all the stories at what was now Marvel Comics — changed our name to Marvel — and I remember, I said to Joanie: ’You know, I can't keep up with the work. I'm the editor, the art director, I'm the writer. I'm working seven days a week. It's driving me crazy. I'm going to tell Martin — the publisher Martin Goodman — I'm going to tell Martin I've got to have a day off, like Wednesday, so I could stay home and write when the phone won't ring and there won't be people coming to see me’. She said, ‘But you're getting a salary. You can't… he won't pay you a whole week pay if… for only four days' work’. I said, ‘I've got to ask him anyway’. And anyway, he agreed. So for quite a while I didn't go to the office on Wednesday, but then I still couldn't keep up with the work there was too much of it. I said, ‘I'm going to ask him Joanie, if I can have Tuesday and Thursday off’. She said, ‘Stan, don't you dare do that I would be so embarrassed. How can you say, I want Tuesday and Thursday off?’; I said, ‘Honey, I've got to do it, you know’. He gave me Tuesday and Thursday off. To make a long story short, I ended up… I decided I was only going to go to the office two days a week and I had Monday, Wednesday and Friday off when I would stay home and write. And it was the only way I would turn out almost a hundred magazines a month. And I used to joke about it. I said: ‘I'm able to do it because I'm the editor and I love the stories I write so there isn't much editing to do’. So anyway, I was working that time… and very often the artist would draw the strips… and a lot of them lived in Long Island, they'd come to my house and we'd go over it, and it was wonderful.