I know I chose, sort of, the very first classical record, almost, that I ever listened to, because we didn't have much music. Oh, I chose Tit Willow, Tit Willow, Tit Willow, because we did have that. We had a few records of... I don't know which… I think it was only one of the… the Gilbert and Sullivans that… we thought… the children adored these records, but no one bought us records. These were ones that our aunts or uncles had bought. Tit Willow. Tit Willow, we loved. We played it again and again and again. So I chose that, because that was one of the first things I ever listened to. I chose the first, sort of, serious classical thing I ever listened to, almost, which was a song of Sibelius's, which a friend of mine at Oxford had, called Der Erste Kuss. Terribly sentimental song, but we used to listen to that over and over again, and we adored it.

I chose… oh, one of the… one, if not two, of the things we always used to dance to. I've Got You Under My Skin, I think it was. I chose Mozart… something out of The Clarinet. You were only two minutes, you see. It's quite difficult to choose a bit of music which was only two minutes made sense. I can't remember. Then I wanted to have a bit out of The Creation, of the bit when Adam and Eve are walking around, and he's introducing Eve to the wonders of the world, because it's wonderful writing for the soprano voice, that. But there wasn't a bit of it that would fit into two minutes properly, and by that time it was getting a bit late. Because, you see, having made one's choice, one then went down an hour earlier in order to choose the two minutes. And so in the end, we just said, 'Oh well, we better have a bit out of… out of one of the choruses', which I didn't actually… I'm not particularly keen on the choruses, but that was… it made quite a good ending. I think that was all.