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A brush with the secret police (Part 2)
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A brush with the secret police (Part 2)
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Views | Duration | ||
---|---|---|---|
1. Early life in Vienna | 2 | 415 | 04:00 |
2. Studying photography and moving to London | 236 | 02:36 | |
3. The situation in Austria and my father's suicide | 310 | 04:24 | |
4. Moving to Holland and working as a photographer | 143 | 03:19 | |
5. Working for Paul Rotha, zoo photos and meeting my wife | 145 | 04:49 | |
6. Escaping internment and working as a cameraman | 112 | 02:52 | |
7. Documentary film in the 1930s | 121 | 01:43 | |
8. A brush with the secret police (Part 1) | 141 | 01:12 | |
9. A brush with the secret police (Part 2) | 103 | 00:38 | |
10. Forming a filmmakers' co-operative | 81 | 04:48 |
What had attracted me to the documentary movement was that they stated that they want to make films which are useful to society and that I did appreciate and I was very glad to join them. During the war, I was still considered an enemy alien of course. I refused to have a German passport and I got a stateless document as an identity document. I was allowed to travel anywhere in Britain with my work, but not into ports. I was not allowed in ports, and one time I forgot this restriction. We were... we were in Liverpool.
Born in Austria, Wolfgang Suschitzky (1912-2016) trained as a photographer and became one of the first in his field to take portraits of animals. After coming to England he worked with Paul Rotha as the cameraman on various documentaries and films such as “No Resting Place”, “Ulysses” and “Get Carter”.
Title: A brush with the secret police (Part 1)
Listeners: Misha Donat
Misha Donat is the son of Wolfgang Suschitzky. He has composed music for the theatre and the cinema (including films directed by Lindsay Anderson, and by Albert Finney). For more than 25 years he was a senior music producer for BBC Radio 3, where he planned and produced the prestigious lunchtime concerts at St John’s, Smith Square, at which many of the world’s leading artists appeared on a regular basis, and also instigated a Young Artists’ Forum as a showcase for musicians of the coming generation. As a broadcaster himself, he has given many radio talks. Misha Donat has contributed a large number of programme notes to the Wigmore Hall, Carnegie Hall, South Bank, Aldeburgh Festival, Edinburgh Festival, Brighton Festival and other venues, and he has written CD booklets for such labels as Decca, DG, RCA, Philips and Hyperion. He has been a regular contributor to BBC Music Magazine since its inception more than 10 years ago, and has written articles for The London Review of Books, The Guardian, The Musical Times, The Listener, Opera, and other publications. He has taught at the University of California in Los Angeles, and has given lectures and seminars at Vassar College and Bard College in New York State, Johns Hopkins University (Baltimore), and in the UK at Durham University, the Barbican Centre, the Royal Festival Hall, and the Norwich Music festival. He is currently working as a producer for the Philharmonia Orchestra.
Tags: World War II, Great Britain, Liverpool
Duration: 1 minute, 12 seconds
Date story recorded: March 2008
Date story went live: 06 August 2009