Another well known film I worked on was a short film called The Bespoke Overcoat. That was made in 1950, I believe. Hang on. 1955. Oh. The Bespoke Overcoat was made in 1955. It was Jack Clayton who was given £5000 by his company. He was a producer for Romulus Films, and wanted to do a bit of directing... directing experience, so they gave him £5000 to make a short film, and it was Gogol’s Bespoke Overcoat transposed into a Jewish milieu, and it was shot in a disused church in the Marylebone Road... very primitive equipment, very primitive dolly we had for tracking shots, and not much lighting, wonderful actors, Alfie Bass and Kossoff... David Kossoff. David Kossoff. We got on very well with both of them. I had a wonderful operator, and we had much fun with Alfie Bass who kept us laughing.  We... for instance, he was made up as an old man, and on tea break we went out to the bus stop and queued up in costume, David Kossoff as well. Nobody took any notice, nobody looked at us. We were queued up at a bus stop. It was very difficult to work. There was an upstairs room, a small room, where David...where Clayton wanted to do a tracking shot around the death bed of... of Alfie Bass. He is lying and we had this very clumsy Winton dolly, which was... the room was so small that he wanted to start at the back of his head, go all the way around and ending up at the profile on the other side. We had to move furniture while the dolly was moving, and the sound man had a terrible job because it made noises of course. But Ron Robson, the operator, had to climb over the arm of the dolly, but he succeeded in getting the shot. It was very, very difficult, and we were next to another church which was still in use, and when the organ player next door wanted to practice, we had to stop and send somebody over to prevent him from playing because we could hear it through the walls. The film was very successful. It got an Oscar as the best short film in the next year, and then the following year, and it is still being shown now and then on television and now and then at the National Film Theatre. So, after 50 years, it’s quite an achievement, I think.