And also, I got to know Walt a little better. Because I mentioned that some of the guys… anyway, there was a frog in the sequence and I wanted the frog not to be seen. I wanted the frog to be heard only. And Walt didn't agree with me and he said, 'But no, we must see the frog'. Well, that was his way. And don't fight him, don't go against him. If Walt wants it like that, he's going to get it. So anyway, after the meeting was over, some of these guys came around and they said, 'Oh no, Jules we're with you, we're… you should have'. I said, 'Forget that, you should have said something when you were already in there, not when Walt is gone. Now you're going to tell me about this stuff, you know? But why didn't you open your mouth when you were in there?' All I said to Walt, 'I think it should be just a sound'. And he didn't bite me or anything, he just said, 'No, I must see the frog'. You want to see the frog? You're going to see the frog. That was the characteristic of the studio, nobody would speak up and we were all afraid of him, you know? But that was okay, he knew what he was doing, where he was going, you know? But they really, really wanted to say no to Walt. So that was, I think, to a degree, it was mistake. Even if he would change, even if he would say no, but at least you'll put another idea in his head. Or another way of doing something, he wouldn't bite you, you know? What the hell's the matter with you? But that was the texture of the studio.