When you do a film... let's take, let’s take Disney studio and let's take something like Bambi or something. The problem is that not one person does a film. If you have four animators working on Bambi and you have one who’s the color director, you know, and then one who's called the layout man. And then you have one that might have something to do with color. So… And yet you only give credit to this one guy who is called a director, you know? Which… which exists, you know? It's there. But unless the animator or... you see again, it's a problem because the animator has to rely on the director. Then the director better be pretty talented to know how to help the animator. Because it's the animator who's going to do the scene, who’s going to do the character, who puts in the timing. And this is where Walt came about. Walt came big. Because when he saw the dance of the hours and the way those people got up and move about was almost... he got angry at how stupid it looks, how ugly it looks, how wrong it is, you see? And then he would get up and make some moves, Walt did. And talked to the key animators, you know, the talents, that this is what it's all about, this is how it moves, you know? Then you can say, ‘How come they didn't know about that’? Nobody's hiding anything. Why these animators were that clumsy of having this ostrich from asleep, grow, stand up, you know, start to move... they were bad, they were bad. And Walt gets up there, he's not a dancer, he's none of that. But he talks about how it happens, what happens, what it should look, you know? So when you're talking about animation, it's a very strange field. Who is really responsible for all the good stuff in that film? And of course, there are talents which is then good. It's mostly a single talent who does a single film, where you really find the talent, you know?
