I decided it was better to do some smaller pictures, you know, and I don't know what came exactly after Around the World in Eighty Days, I think it was probably Bob Aldrich, who was a wonderful American director, who was also a member of the Aldrich family, which is one of the big families.

But he was also always a rebel, but very generous with money, you know – and a very good director. So I did a film in Berlin for him, which... I can't remember the title, but I can look it up for you in a moment, yeah – and which dealt with bomb disposal. And it was in – before the Wall was up – so it must have been in… I can't remember the date now.

[Q] Was it called Ten seconds... or something…?

Ten Seconds to Hell, yes. And we shot it at the... not the Ufa Studios in Babelsberg, the Ufa Studios at Tempelhof, because there was no Wall yet in Berlin, and our labour came both from the East, and from the West, there was... and he had an all-American cast but the German bomb disposal people were our experts, you know.

And it was a good picture, and terribly dangerous, you know, as... because there were too many real bombs around, you know. And, in fact, two years later when I was doing another film in Germany, or three years later, there wasn't any one of the actual bomb disposal experts alive, they'd all been killed.