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Views | Duration | ||
---|---|---|---|
91. Goldfinger | 171 | 03:38 | |
92. The Kentucky Stud farm set | 169 | 01:48 | |
93. Crushing a brand new Lincoln Continental | 242 | 03:47 | |
94. An example of successful set design | 160 | 00:32 | |
95. The Goldfinger laser | 154 | 01:50 | |
96. The Bond gadgets | 1 | 148 | 03:23 |
97. Thunderball: working under water | 113 | 02:24 | |
98. Sharks: 'The biggest faux pas I made' | 138 | 01:48 | |
99. Accidents | 105 | 02:34 | |
100. The hydrofoil | 106 | 03:03 |
At the end of the picture, or after the picture came out, United Artists were bombarded with letters from irate American film fans who said, 'How was it possible that a British unit and a British director were able to shoot inside Fort Knox, when the president – our president – is not allowed in it?'
Sir Kenneth Adam (1921-2016), OBE, born Klaus Hugo Adam, was a production designer famous for his set designs for the James Bond films of the 1960s and 1970s. Initially, he trained as an architect in London, but in October 1943, he became one of only two German-born fighter pilots to fly with the RAF in wartime. He joined 609 Squadron where he flew the Hawker Typhoon fighter bomber. After the war, he entered the film industry, initially as a draughtsman on This Was a Woman. His portfolio of work includes Barry Lyndon and The Madness of King George; he won an Oscar for both films. Having a close relationship with Stanley Kubrick, he also designed the set for the iconic war room in Dr Strangelove. Sir Ken Adam was knighted by Queen Elizabeth II in 2003.
Title: An example of successful set design
Listeners: Christopher Sykes
Christopher Sykes is an independent documentary producer who has made a number of films about science and scientists for BBC TV, Channel Four, and PBS.
Tags: United Artists, Fort Knox
Duration: 32 seconds
Date story recorded: December 2010 and January 2011
Date story went live: 14 October 2011