[Q] You have a great love of opera, when did that develop?
Well that’s interesting. That started… my brother was a fanatic of Wagner. And he would trace the leitmotifs on the phonograph and listen to everything. And he even though he had very little money would buy standing room at the Metropolitan, that’s the old Met. And then Max Rudolf whose daughter, Marianne Rudolf, was a friend of mine, and she married Bob Goldberger. Her father was a conductor at the Met, and when we were medical students, he would give us tickets. I think I told you, Max Rudolf is the great-grandfather of a girl I’ve got working in the lab right now. It’s amazing. I’m going to have lunch with Marianne over the next few weeks. So we would go when tickets were available, and then when I started to date Denise I took her to a dress rehearsal of The Tales of Hoffmann. And at the end of it she said, ‘I don’t enjoy the human voice as a musical instrument’. I said, oy vey! So I started to, you know, move her in the right direction. We went to lieder recitals, Fischer-Dieskau, very good people. And she began to enjoy that. And then we worked slowly toward opera, and now she’s as addicted as I am.
[Q] Even Wagner.
She loves Wagner like I do.
[Q] Amazing. Amazing.
We learned a great deal from each other.
[Q] So you brought that out in her.
Look what she’s doing for me now. I’m taking French lessons now. I’m not sure that’s going to work but we’ll see.