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Layogenic: not everything is what it may seem
Walter Murch
Film-maker
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| 2. Living with Thomas Edison's legacy | 1 | 317 | 02:09 |
| 3. Television changes everything | 1 | 246 | 01:46 |
| 4. Morningside Heights joins the 20th century | 1 | 213 | 01:04 |
| 5. Life in the womb | 1 | 214 | 02:40 |
| 6. The significance of sound | 1 | 266 | 03:19 |
| 7. My greatest ambition: to be a subway driver | 1 | 171 | 04:13 |
| 8. Layogenic: not everything is what it may seem | 1 | 166 | 00:59 |
| 9. Good plus good doesn't always equal better | 2 | 183 | 01:55 |
| 10. How I came to be nicknamed Gerald McBoing-Boing | 1 | 144 | 02:03 |
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Much, much, much, much later, meaning just a few years ago, I learned that in Tagalog, the language of the Philippines, there's actually a word for this which is layogenic and this is a hybrid word. The 'genic' part is English, like photogenic and 'layo', the root in Tagalog means distant. So something that looks good at a distance but when you get up close to it, is not so good. So people would say of somebody else who might look attractive from a distance, oh that guy is very layogenic. So subway driving became one of these layogenic things for me and I'd taken that on board.
Born in 1943 in New York City, Murch graduated from the University of Southern California's School of Cinema-Television. His career stretches back to 1969 and includes work on Apocalypse Now, The Godfather I, II, and III, American Graffiti, The Conversation, and The English Patient. He has been referred to as 'the most respected film editor and sound designer in modern cinema.' In a career that spans over 40 years, Murch is perhaps best known for his collaborations with Francis Ford Coppola, beginning in 1969 with The Rain People. After working with George Lucas on THX 1138 (1971), which he co-wrote, and American Graffiti (1973), Murch returned to Coppola in 1974 for The Conversation, resulting in his first Academy Award nomination. Murch's pioneering achievements were acknowledged by Coppola in his follow-up film, the 1979 Palme d'Or winner Apocalypse Now, for which Murch was granted, in what is seen as a film-history first, the screen credit 'Sound Designer.' Murch has been nominated for nine Academy Awards and has won three, for best sound on Apocalypse Now (for which he and his collaborators devised the now-standard 5.1 sound format), and achieving an unprecedented double when he won both Best Film Editing and Best Sound for his work on The English Patient. Murch’s contributions to film reconstruction include 2001's Apocalypse Now: Redux and the 1998 re-edit of Orson Welles's Touch of Evil. He is also the director and co-writer of Return to Oz (1985). In 1995, Murch published a book on film editing, In the Blink of an Eye: A Perspective on Film Editing, in which he urges editors to prioritise emotion.
Title: Layogenic: not everything is what it may seem
Listeners: Christopher Sykes
Christopher Sykes is an independent documentary producer who has made a number of films about science and scientists for BBC TV, Channel Four, and PBS.
Tags: Tagalog, layogenic, distance, subway driving
Duration: 59 seconds
Date story recorded: April 2016
Date story went live: 01 March 2017
