Half way through the shoot, roughly, certainly a third of the way into the shoot, we had what was called the opening ceremony. Every film in India has an opening ceremony, which is a sort of good luck. Sometimes they decorate the camera. It happens again in my film, The Perfect Murder, they actually show that, it's called the Mucharat, which is the kind of a formality to wish good luck to the film and to placate the gods that they don't do anything bad. So, some officials came down from God knows where, from Dhaka I suppose, and we had this opening ceremony in the village where people made speeches and little fresh meats again, sweetmeats, were served and that sort of thing. Then somebody held an address. One of the officials held a... made a speech and part of this speech was in praise of me and John Fletcher. They wanted to pay us their... they wanted to pay us a compliment each and, no doubt, he'd read up on what cameramen do, and somewhere he'd come across this phrase, so he says, 'Walter Lassally doesn't merely photograph, he paints with light'. Unfortunately, he couldn't find an equivalent phrase for John, for the sound recordist. So he said, '...and John Fletcher doesn't merely record sound, he feels with his machine'.