So during the '70s I also worked in England and elsewhere, and one of the films I made in England was called Malachi's Cove. It's one of those films that suffered an unfortunate fate towards the end. It was never released until much later. And that was a film starring Donald Pleasance and... what's her name? A young girl who was just getting started. I should study these names beforehand. Anyway, it was a studio-made film, directed by Henry Herbert, who is actually the 18th Earl of Pembroke, I think I've got the number right, and who is the owner of the famous Wilton House which has an even more famous cube room in it. He was a very nice man. All my experiences of the aristocracy have been very pleasant. There was Sir Aymer Maxwell, the producer of Another Sky, there was Henry Herbert, there was Michael Birkett, and they're all very charming. So my experience of so-called blue stockings was entirely favourable. And... where was I... I've lost the track again?

[Q] Cornwall and the small stage.

Yes, Cornwall and the small stage, yes. I made... That film was made at Bray Studios, and a short section was filmed in Cornwall. I had the job of matching studio scenes in Bray, where the studio... it's a small stage and the studio wall was only just behind the set wall, so when you look out of the window... when somebody opens the door, when you look out of the window of this cottage in the studio, what you see is a backing, and that has to match the real sea landscape that we photographed in Cornwall. And I used a trick, which comes from the theatre, which is, if you haven't got much space between the camera and the backing, which was to use a large theatrical gauze, like the ones they used in the theatre. That is placed is about 3ft, 4ft, from the backing towards the camera, and that, kind of, gives you a bit of distance, it gives you the feeling of distance. And that worked extremely well. When I see that film now I'm quite pleased with the results. And I've thought of the girl's name, it's Veronica Quilligan.