Free cinema, in the meantime, had two other showings where the centrepiece was not necessarily a British film at all. There was Lionel Rogosin's On the Bowery. Lionel Rogosin was one of those people that was working with similar ideas and with similar aims, quite independently from us, as were the... the beginnings of the free... of the New Wave in France, also had similar ideas and worked in a similar kind of way. But we were not influencing one another. We knew about one another, but it was... it happened simultaneously, so you couldn't... you couldn't talk about influence in any... in any real sense, because it was all happening simultaneously. But if people come... have the same kind of outlook and the same mentality... same idea, be they in France, America or England, they end up making the same kind of film. And it looks as though one might have influenced the other, but it wasn't actually so. They... they happened simultaneously. So there were... there was... Free Cinema Two and Free Cinema Four were... were foreign- there were some foreign films and it... it wasn't particularly British, and then the... the showpiece of cinema... Free Cinema Six, the last Free Cinema, was We are the Lambeth Boys, which is the film I made with... with Karel Reisz.