Somebody figured out at Anthology the other day, the average age of the people of my co-workers and friends at Anthology is, compared with, let's say Cinémathèque Française or Cinémathèque Royal de Belgique where the average age is 50 or 55, at Anthology it is 30, 27, 25 or lower. So, they're all very young. Gregory, how old are you?
[Q] Nineteen.
You see, you see, that's my, no, no, I really, I... now we are talking my, about my American friends which has nothing to do what this thing is, so, I cannot stand, I'm bored with talk, okay. I am worried. I never go to the galley openings, to the museum openings. I get invitations and calls, you know, and don't go. When I make exceptions and break the rule like last weekend, I went to the opening, or the day before that, I went to, the last two months I went to about three or four openings and - Richard Serra - then I sit and then you go to eat; there is a dinner, you know, paid by the gallery. You're surrounded by these very art collectors and artists and art historians and specialists and they're 50, 60, 65, 70 years old or even when they are 40 or 35, they're already, they're very old and they're very heavy and I feel like, what, what am I doing here?
I mean, there is no energy, there is no life; it's only, I don't know what there is. So, I escape, the last, Richard Serra, I did not, I'll come to see the opening, but I'm not staying for the dinner, and I didn't stay. I cannot, it's... but at Anthology, I feel great! When 19 years old and 20, 25 people because there is energy, there is something, it's interesting, something, something is happening, something is in progress, something is moving ahead, and here's static, it's looking back, you know, here or there, it just costs a lot of money, we can sell, it's... it's... I cannot, that is not my life. Never was and never will be.
