So I came back from Baghdad and... and continued working in... in documentaries and short films for several years with... with a variety of companies, mostly using my own camera, which had quickly paid for itself, and I'd also, by then, bought a very early zoom lens; it was a SOM Berthiot, it was French... With a lever underneath? With a lever underneath and I think it went from 38mm to... It was 3:1 I think. About 95 or 100, so it was a very early zoom lens and it was good quality. So I had that and the Cooke lenses; I think my Cooke lenses went up to 75 and the widest I had was an 18. So it was quite a good set of lenses and the Cooke... I loved the Cooke lenses; I used those lenses for years and years after that; those Cooke Speed Panchros because they had a lovely... they had a lovely contrast range. I thought they were very good on faces; they weren't too harsh. The Zeiss lenses were — I always felt — a little bit sharper and a little bit too hard and... you know, I just like the look of the Cooke's. The zoom lens wasn't so easy to use hand-held I recall? Oh no. Because it was a... a lever action... that's right... that’s right. As opposed to... no, I never really tried to use that... that zoom hand-held. They brought out a later zoom, which was a 3:1, which went from 20 to 60, but that was much later on and that... that, you could use that hand-held because it wasn't too heavy.