There's another scene that I had to shoot at the magic hour which is set on the porch of the house with the lights on inside and the interior lighting was… was sort of warm, slightly golden, and out on the porch the young boy is gutting fish and it's at the end of the day so I wanted it to look dark and the light to be cold. So I had to wait until it got towards the end of the day until I got this atmosphere, but I'd… I set up a big white reflector with an… HMI bouncing into it so I could put a little bit of light into the foreground so that it didn't get too underexposed so I'd get a little bit of modelling on the face of the boy and Henry Fonda is also sitting on the porch. And it was a scene with several cuts and I almost lost it because it gets dark so quickly and, you know, I just about got it before it was too dark but… those scenes are always tricky and you can stretch things a little bit too far but it worked, it was okay.