I had been warned by… by Wynn Handman not to expect anything from the critics. You know, they did some… some really marvelous experimental plays and, and things there. And people like Dustin Hoffman, Frank Langela, Roscoe Lee Brown got something very close to their start right there and… and first got much notice from performances they did. But… but they never got any credit… credit from the critics. So we didn't expect anything. To… to our great surprise, the one really good review came from Clive Barnes, who up till two weeks before that, had been the… the reviewer for the New York Times, but for some reason had been thrown out and was now with some… some little paper off in the way of… a New York paper, but one that no one paid any attention to. And the funny thing about that… he gave a… an extremely good review. I mean, it… I don't know whether you'd call it a rave or not, but he… he liked it very much. And… and his review showed a real understanding of it and what it was aiming at and what it was doing. And the funny thing about that is that he appeared to sleep through the whole performance. Of course, when he came in, everybody was: 'There's Clive Barnes'. And… and so everybody was watching him, and he seemed to be asleep through the whole thing. And he got every bit of it. Well, there were two other positive reviews, people that liked it. But they were obviously such idiots that, you know, it… it made you wonder if it could possibly be any good at all if they liked it.