I first went to Greece in 1955 when I was hired, sight unseen, by Michael Cacoyannis who had had a bad experience with his Greek cameraman on the film Stella, where I was told the end had to be re-shot three times, I think. And, Cacoyannis was in Cannes with the film, Stella, and he met Lindsay Anderson and they talked about the problems, and Cacoyannis was already preparing the next film which was going to be The Girl in Black, A Girl in Black. And he asked Lindsay if he knew anybody and Lindsay said, 'Yes, why don't you take Walter?' So he sent somebody to London to hire me, and make a contract. He hadn't seen me or he hadn't seen anything I'd done. He just took Lindsay Anderson's word for it. So I arrived one sultry August evening at Athens Airport, in August 1955, and waiting for me on the tarmac there were the three principle.... well, the two actors and Cacoyannis, Ellie Lambetti, Takis Horn and Michael, and they were all in evening dress. They were... I don't know what they were waiting for. I don't what they were expecting. They were expecting, I think, some sort of English gentleman, and off the plane stepped this schoolboy. Because at the time I was 28, looking, at the most, 18, and I can still remember they all stared at me like... that, that boy is going to photograph our movie? Anyway, the next day we made some tests and after that it all went swimmingly.