On Zorba I repeated my experience with Taste of Honey. Slightly modified though. Because Ilford made... at that time they made four stocks. There was 25 ASA, 16 actually to, 16 to daylight, I think, 25 to tungsten. Then there was a 100 ASA, a 200 ASA and a 400 ASA. On Zorba I used the 25 ASA and the 100 ASA and the 200 ASA. All the exteriors were on the 25 ASA, because it's wonderful light and you get wonderful detail in the highlights on that stock. The mountains, for instance, in the background with some snow on them, there was wonderful detail in the highlights, which you couldn't get on Plus X or on the 100 ASA stock. The Ilford stock which was called Pan F film, which is available even now as stills film for 35 mm stills cameras. It had wonderful detail in the highlights. Then there was the equivalent of Plus X, which is perfectly okay, but once you go to Ilford you might just as well use all Ilford. By that time I had tested it in the Athens lab and they had no problem developing it, because it has a different procedure than Kodak, different development times, that kind of thing. And... there were a few initial hiccups, but it all turned out all right very quickly.