There's quite an interesting comparison between Tom Jones and Zorba, because they had certain things in common, but there were significant differences. They had the schedule in common. They were both scheduled for 15 weeks, 15/16 weeks, because they were both big movies. And... they had... in the case of Zorba, I would say, the crew was about one quarter of the crew on Tom Jones, if you count all the menagerie and all the animal handlers and God knows what. On Zorba we had something like six foreigners, and the rest were Greeks. There was a makeup man from Italy, assistant director from Italy... no, makeup man... a makeup couple. Makeup and hair were a couple from France. There was a Italian assistant director and Italian stills photographer, and me, and all the rest were Greeks. Of course, there was Anis Nohra who was... who was a Greek from Lebanon who was Cacoyannis' regular assistant. By that time he'd been promoted to sort of production manager, kind of thing. But the crew numbered about 25 people, whereas on Tom Jones it numbered 100 people, if you count everybody. And also the big difference between those two movies is, not only the directorial style, which we've already talked about, which were very different, but the general manner of making the film with a limited amount of equipment and fairly primitively, but, but very effectively. You didn't need all that extra gear. Zorba had a very limited lamp park of... not park... very limited range of lights, and... most of which... all of which were local, and some of... these box lights, again, we used was photo-floods in boxes, and it was very effective.