The producer on that film was Michael Birkett who's actually Lord Birkett. He directed the second unit for one day. Well, not the second unit, he directed us in some second unit shots, one day, when Peter had to go and give an interview somewhere, because he was about to become director of the theatre in Essen or something. And he had to leave for one day. So we said we'll do those various pick-ups, and Michael Birkett was the one who officially directed that. And we did the various bits and pieces and then we wanted a shot of this car crossing this railway bridge. So you're in the car and out of the window you see all these girders going by, you see. They said to the local people, 'Right, we're going to do the shot now of the car driving across this bridge', and they all looked at us blank. They said, 'You know that big girder bridge'. We explained what we wanted, a shot out of the window with all the girders going, and they kept looking at us blank. And I said, 'This is impossible'. You know jolly well there's... this is not in... by the way, this is not in Amsterdam, this is in Cologne. We were in Cologne. There was a short section of that film made in the area of Cologne. They wanted this shot. They kept looking at us... staring at us blankly. Then, of course, it transpired that this bridge, which everybody knows and everybody's seen, is not a road bridge, it's a railway bridge. So it pays to do your location scouting.