Now that film contained a black and white sequence. Quite a few films that I made in the period after black and white ceased to be the norm, contained black and white sequences. And as the years went by, as I've already mentioned, it got more and more and more difficult because, the people that understood black and white, had either retired or died. And to get it properly processed was a problem, to obtain the film stock could be a problem. But in that sequence... in that film there was a World War II sequence, and I've always found it impossible to think of World War II in anything but black and white. Somebody else might be able to, but to me World War II happened in black and white. So I proposed to Jasny that it should be black and white, and he readily agreed, and we shot those scenes in black and white. Which works very well, yes, it works very well in the film. That was 1975 so the real problems with black and white hadn't really started yet. It was still possible. Although The Wild Party... The Wild Party is '74, and already in Hollywood, there was already problems with black and white. But in Germany the problems hadn't really started. There were labs very much used to developing it, very much running a bath still every day... every night, which had stopped in Hollywood. So I didn't have any problems with that.