There was a near disaster with the last set, which I’d forgotten about. This is where... the English scientist, whatever his name is, who is in Dr No’s pay, goes over to No’s island to warn him about what’s happening and Terence said, ‘You know, we need a set for that’, and I said, ‘Yeah,  my God, I’ve forgotten about it!’  So I came up with this false perspective, I mean starting off with the floor going up and the sides coming down, to give… and that big circular opening in the ceiling, with a black grill in it, and it was sort of a minimum set. I had one chair, I had a copper door and I had a table in the foreground with the cage and the tarantula – the real tarantula – in the cage. And strangely enough, I think it was probably one of the most effective sets of that film, and several critics remarked on it and said that this set set the style for future Bond films, and so on. And we built it literally in 24 hours. And Terence was great, because I, you know, he should have had the set but he forgot about it too.  And he said, ‘Ken, but you do realise I will never be able to see that whole circle, because... I can’t frame it... you have to give me more ceiling piece, so then I can cut on something and then establish the whole circle’. So, during lunchtime I had all my carpenters working on it to extend the ceiling piece, and fortunately they came up, and fortunately it... it looked fabulous.