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Translating Anna Akhmatova's poems
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Translating Anna Akhmatova's poems
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Views | Duration | ||
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31. Acquaintances from Moscow | 38 | 01:49 | |
32. Anna Akhmatova | 88 | 01:52 | |
33. Translating Anna Akhmatova's poems | 77 | 02:16 | |
34. Friendship with Joseph Brodsky | 156 | 01:37 | |
35. Czesław Miłosz | 145 | 00:51 | |
36. Joseph Brodsky in exile | 92 | 02:44 | |
37. The Aurora legend | 43 | 01:08 | |
38. Who is the best Polish poet? | 142 | 01:16 | |
39. Czesław Miłosz translated my poem | 56 | 02:00 | |
40. An unexpected love story | 110 | 02:18 |
I told you last time that I visited Boris Pasternak the one time in my life and for only half an hour. He died not long after that and I had to attend his funeral. That was in Moscow, and in St Petersburg I got to know [Anna] Akhmatova – at the time, following Pasternak’s death, the best known female Russian poet. She was no longer a young woman, she was about 70 years old. I managed to translate some of her poems. And together with Judita Vaičiūnaitė, my good friend from university who, alas, is no longer alive, we published a small book of Akhmatova’s work translated into Lithuanian. Well, I took that book to St Petersburg to present it to her and received an invitation to her home. I went there and Akhmatova then asked me, ‘Read some of those translations. I, of course, don’t know Lithuanian but perhaps at least I’ll be able to understand something from the sounds’. And I knew that Akhmatova... that hundreds of young men and women visited Akhmatova carrying their own poems. The majority of them were graphomaniacs – completely untalented poets. But she used to find a good word to say to everyone. But there were times, of course, when she would say, ‘You rhyme well’, or, ‘There are interesting metaphors in your verse’, and that meant that your verse is good for nothing. If she liked the verse, as she did, for example [Joseph] Brodsky’s verse, then she would say, ‘There is something mysterious in these lines’.
Vėlgi, pasakojau pereitą sykį, kad lankiausi vieną kartą gyvenimą ir tik pusvalandį pas Borisą Pasternaką, kuris netrukus po to apsilankymo mirė ir man teko dalyvauti jo laidotuvėse. Tai buvo Maskvoje, o Peterburge arba Leningrade, susipažinau su Achmatova – tais laikais, po Pasternako mirties, pačia žymiausia rusų poete. Ne jauna jau moteris, jai buvo apie septyniasdešimt penkeri. Pavyko tada šiek tiek jos eilėraščių išversti. Ir kartu su poete Judita Vaičiūnaite, mano gera bičiule iš universiteto laikų, kurios irgi, deja, nebėra gyvos, mes išleidome jos mažą lietuvišką knygutę. Na, aš tą knygutę vežiau į Peterburgą padovanoti Achmatovai ir, taip sakant, gavau pakvietimą į jos namus. Nuėjau ir Achmatova tada manęs paprašė: paskaitykite šiek tiek tų vertimų aš, žinoma, lietuviškai nemoku, bet bent jau iš garso galbūt kai ką suprasiu. O aš žinojau, kad Achmatova, pas Achmatovą ateina šimtai vaikinų ir merginų, kurie neša savo eilėraščius. Dauguma jų buvo grafomanai – negabūs visiškai poetai. Bet jinai kiekvienam surasdavo gerą žodį. Bet buvo žinoma, kad jeigu jinai sako: jūs gerai rimuojate, arba, jūsų eilėse įdomios metaforos, tai reiškė, kad jūsų eilės niekam netinka. Jeigu jai eilės patikdavo, kaip sakysime, Brodskio eilės, ji pasakydavo: šitose eilėse esama kažkokios paslapties.
Born in 1937, Tomas Venclova is a Lithuanian scholar, poet, author and translator of literature. He was educated at Vilnius University and later at Tartu University. As an active participant in the dissident movement he was deprived of Soviet citizenship in 1977 and had to emigrate. Between 1977 and 1980 he lectured at University of California, Berkeley, where he became friends with the Polish poet Czesław Miłosz, who was a professor of Slavic Languages and Literature at the school, as well as the Russian poet Joseph Brodsky. He is currently a full professor at Yale University.
Title: Anna Akhmatova
Listeners: Andrzej Wolski
Film director and documentary maker, Andrzej Wolski has made around 40 films since 1982 for French television, the BBC, TVP and other TV networks. He specializes in portraits and in historical films. Films that he has directed or written the screenplay for include Kultura, which he co-directed with Agnieszka Holland, and KOR which presents the history of the Worker’s Defence Committee as told by its members. Andrzej Wolski has received many awards for his work, including the UNESCO Grand Prix at the Festival du Film d’Art.
Tags: Moscow, St Petersburg, Boris Pasternak, Anna Akhmatova, Judita Vaičiūnaitė
Duration: 1 minute, 52 seconds
Date story recorded: May/June 2011
Date story went live: 20 March 2012