What caused the scandal? Well it was an extremely intimate sexual portrait of a man's life. And I suppose people weren't accustomed to that. The raucousness with which it was told didn't help any, it seemed highly irresponsible, I suppose. In those years Jewish nerves were raw. Even in 1969, 25 years after the war. Jewish nerves were raw and they… by they, I mean some Jews. They couldn't bear the fact that a Jew was being represented in all his nakedness, in all his nakedness, with no regards to decency and dignity. So this was hard for them to take.

I read… I was teaching back in the '90s. A friend of mine was teaching a course in my books and I went to visit his class and he was teaching Portnoy's Complaint, so I had to reread it, because I couldn't remember it well enough to speak about it. And I found it scandalous. I found it scandalous, raw, disgusting, and I was glad when I read it that I somehow had the gall, back in the 1960s, to do it. I could never do it now. And I couldn't have done it before. I was helped… I got an awfully… one awfully wonderful push from behind by the times. By which I mean the 1960s. I was helped immeasurably by Janice Joplin and Jimmy Hendrix. I was helped immeasurably by an improvisational group that was called The Thugs, here in New York, and the shows those guys put on. I was helped by Barbara Garson's play Macbird. I was helped by Claude… I think his name is Jean-Claude van Itallie's play America Hurrah. These were all outland… it was all outlandish art. Good art, bad art, crap, it didn't matter. Everybody was pushing, everybody was pushing against something. And so I pushed with what I had to push up against. But that doesn't mean it went down very well with people who were concerned about the image of the Jews and the persecution of the Jews. That's the best face I can put on it, you know. I... I understand it.