Those were the most dramatic years. And I have written about that from a political context, or from a political point of view, in a book that has been published this year, I think, by the University of Manchester Press, a chapter about Penguin in the 70s and 80s because it was... I came in the Callaghan period, the Labour period, the Winter of Discontent, and I... in I don't know year. Mrs Thatcher was '79 or '80 she became the prime minister. And there was an enormous change, as we all know, in Britain, as a result of Mrs Thatcher becoming the prime minister. First, when she became the leader of her party, I don't think many people in Britain knew how far to the right she was. She was obviously to the right, she was a Tory, anyway, but I think she surprised many people. And I think it is fair to say that, not only did she control the industrial situation, but she went a long way down the road to destroying the unions or destroying their power. She, of course, didn't destroy the unions, but she did erode their power in a significant way. And this changed the context for the individuals who had come to Penguin straight from university, many of them, not all of them, but many of them, seeing Penguin as a vehicle for social justice.
I saw it, probably, to some extent, as they saw it, but I saw it, also, in a way they did not see it, partly because it was my job to fix it. I saw it as a publishing company, and was not a national institution as the BBC. It was privately owned! And I knew that it would be either sold or... well, probably sold at some point, if it was not brought back to health. And in fact, I can say, and I've never said it before, but I don't mind saying it, that the thing I was proudest of when I left in '97 or '98... I was proud, I was actually proud, that Penguin was still owned British, because so many other companies had become French, or Swedish, or Australian, or German, or American, or whatever. And in a way, it showed that we were a professional bunch of people and I was a professional publisher, that it didn't matter what flag I was flying, it was an entity that did good work and deserved to survive. And I think I took a pride in the fact that many people said an American couldn't understand British culture or civilisation or publishing or Penguin or Pearson. And I don't want to presume that I did, but I do want to say that I was still standing at the end of it and Penguin was still there. And I took a lot of pleasure in that and I still do.