But to choose another way to do it is... It's not that you can't do it, it's just that there are... You should know the risks of doing that. That to tell a single point of view story and then, at a sudden point, to suddenly shift to another point of view when the audience, without even knowing it, has made up their mind that this is a single point of view. It's like, 'What's this?, 'What?', you know? You can do it, but you have to have very good reason for doing it and you have to be brave, because you're sailing into the wind, so to speak. The tendency is: establish something and stick with it, and tell your story, but don't change the rules on people in the middle. And to a certain extent, that's what the danger of what Cold Mountain did by introducing these new characters past the midway point. And it struggled a bit critically and in the box office. It's a very good film, but it... I think it... All films want to be great, and this film, I think, wanted to be greater than the reception that it got. There was a holdback, because it was too long, and something. I don't think many people put their finger on what exactly the problem was. There was an issue about the casting of the main characters: is Nicole Kidman right for that part, and is Jude Law right for the part? Frequently, you have to think through what people say, because how they articulate a problem is nothing to do with what the real problem is. So people will say, 'I didn't like Ada's costume at the end.' 'Well, okay. But is that the real problem?'
