We started travelling and because the war was still on, we'd lived through part of the Blitz and for a period I'd gone down to... we'd been evacuated to the West Country but then came back. So we stayed in this house throughout most of the... most of the war and, you know, if... sometimes one would go into a shelter at night and other times you'd just, you know, stay and hope for the best. And so we started making films for the... the Admiralty — the Royal Naval Air Service — and I went to a number of air stations and, they... they were training films, and then we did a number of industrial films. I remember going to the... the factory where they make Raleigh bicycles and I couldn't believe how noisy it was, how noisy the working conditions were for these people, but it was another interesting side of life, and... we also did three and four-reelers that were programme fillers for the cinemas and I can remember several of them; one was called Boys Of The Old Brigade, which was about the Chelsea pensioners; another one was set in Cornwall, Land Of The Saints, a travel film; another one was called Animal Wonderland, where we went to Chessing... London Zoo and... and Whipsnade and filmed the animals, and then a bit later on, just when the full... war was getting near to its end, we went to the hop fields and made a... a children's film called Here We Come Gathering, and it... it was children working... working, collecting the hops in the summer of 1944 I think it was, so the war was getting towards an end.