When you asked earlier about writing about women, what you have to do is play the role. In The Human Stain, when the main character's girlfriend – he's an old man by this point, and she's a janitor in the college where he was a professor – when he says to her, and they're in bed, dance for me. And so she begins to dance for him, but what I describe is what she's thinking while she's dancing for him. And then she begins to needle him a little bit, while she's dancing for him, about the fact that he's an old man. And I'm playing a role. I'm playing her, and so I have to be as convincing as I'm able to be, you know. So you're constantly playing... you're playing all the roles, like Mickey Sabbath with his hand puppets, you know. He does all the voices. It's his hand puppet here, it's his hand puppet... he does all the voices. I do all the voices.