At the filming of... of Gandhi was a marvellous collaboration between the British and the Indian crew. Because I had... I only had one English camera crew using a Panaflex and the second camera was an Indian crew. The second unit had a director cameraman called Govind Nihalani who did some lovely work including the battle scenes when the partition of India came. A marvellous sequence that he did as a director cameraman, so he made a big contribution. And we had Indian electricians working alongside, you know, our English gaffer and best boy. And we had an English production office and an Indian production office because the organisation was extraordinary. I mean, we'd... we’d be shooting in one place with a crowd of 5000 one day and the next day we'd be, you know, 50 miles away somewhere else with another huge crowd and all this had to be co-ordinated, we had to have translators and... David Tomblin, the first assistant director did an incredible job of communicating everything and keeping it all under control. It was a great work of collaboration and we finished on schedule and we finished on budget, and the picture was edited. And then of course we went into the grading session at Technicolor.