The dialogue scenes in Gandhi were... were all filmed with one camera, although we had a second camera we never tried to get a second camera in when we were doing intimate scenes. And it was only when we came to the bigger scenes with crowds that we introduced extra cameras. And, you know, some of them would be getting cutaways of the crowd, some would... the two principal cameras would be getting different sizes on the principal, that was usually Ben of course, so that one could get the maximum amount of... of coverage without having to repeat scenes that were quite complicated to set up. I mean, in particular the funeral scene which Ronnie Taylor shot, I think they used about nine cameras including a Steadicam because there was only going to be one... it was only going... only be done once, in one day. And they did it on the... the anniversary of the independence of the nation so they already had... it was a public holiday. And thousands and thousands, I think about a quarter of a million people turned up to watch the re-enactment of Gandhi's funeral and it was re-enacted in great detail, with the... all the... the army and the air force and all the dignitaries and all the leading political figures. Another thing that was interesting is that the main characters were all cast to be good lookalikes. Nehru and... and Jinnah, who had a streak of white hair, they were all cast to be as close as possible to... to the real... real people. So the film... we tried to make it as authentic as possible and a lot of this library material that we watched was... was of a great assistance in this. And the salt march, the great salt march to the sea where he goes to take salt, we... we relied very much on news reel material for the, you know, feeling of that.