One of the disadvantages with shooting anamorphic is when it... the film comes to be shown on television, particularly when television is 12 by 9. It's not quite so bad now that 16 by 9 is coming in. But you see you've got a... a format that 2.35 to 1, which is very much wider than the television set and so a system known as pan and scan was introduced, where there was a post-production process which selected which part of the frame to use. Sometimes it was the middle, sometimes the left or sometimes the right. Or sometimes there would be an arbitrary scan of the full wide screen during the course of the shot so that a pan would be introduced which was never part of the original concept, so a static shot could be turned into a very slow pan in order to encompass everything that was in the frame. I much prefer it when anamorphic movies are shown on television in the original format, so... but then you get a black band on the top and bottom and in fact you get a smaller picture on your television. Whereas in the cinema, you get a bigger picture, because the tabs widen out from 1:8:5 to 2:3:5 to give you a bigger picture. And there's always discussion before you go into a movie, is it going to be 1:8:5 or is going to be 2:3:5?