I said earlier that Electra sends off Orestes to murder Agamemnon because, of course, it isn't Agamemnon, I remember, it's Aegistos her mother's new lover. And then the film finished with... we needed a shot of vultures, because in the scene where Agamemnon is murdered, they throw a net over him and Cacoyannis wanted to cut that to the flight of a bird in the same direction, a vulture. And so after the film, as I said had finished... after the filming had finished, in fact, it was early the following year that we set off for Meteora, and we acquired a dead sheep. And we put this dead sheep out and we sat and waited for the vultures to come and, of course, the vultures didn't come because they like carrion, which is not a sheep that was killed yesterday. It's a sheep that's been dead for a few days, at least. So the biggest close-up of a vulture that we could get, with our long-focus lens, was not quite as big as it should have been. So that scene isn't all that successful. But... the other comment I wanted to make is that Theodorakis – it struck me using, again – Thesarakis' music in that film, that Greece is unique in the fact that you could have the foremost poet of the land, Seferis, write a poem and that poem could be set to music by Theodorakis, and the resulting disc would be in every jukebox in the land. That is something I can't imagine outside, outside Greece.