Now, Electra... Electra cost something of the, in the region of $75,000, which is not a lot of money, even in 1961. It was sponsored by United Artists, so... Cacoyannis used to have a very simple way of dealing with the money people. He used to go and say, give me $100,000 and I'll give you a movie. That was basically it. And because it was so direct, he never asked for enough money, so we were always short of money. In the case of Electra, there wasn't enough money for the cast to be transported every day, so the cast... the chorus, had to stay in the village of Keratea and only Cacoyannis and I and the principles, Irene and Orestes and the others, they travelled every day to and fro, but the others had to stay in very primitive conditions throughout the whole shooting. But, the film was a success. It was shown worldwide, but because of the accounting system that companies like United Artists operated, it never went into profit. Even three years after release it wasn't in profit, officially, because the system that they operated was such that, if Electra was shown for a week in Venezuela, and if United Artists had eight movies showing that year in Venezuela, then one-eighth of the cost of operating the United Artists office in Venezuela, would be credited or debited, written off against Electra. So Electra bore all these costs which it couldn't support.