Most of the talent, the young talent, want to see films. But if they want to go beyond that, they should see performances of dancers and stuff like that. Because that is what... you move, you move, you move, you move. And you've got to inhale that somehow, that aspect of it. So that's in you and you're not going to get it out just from still photos that the movies made. But I'm not against it because there were are lot of good films made with dancing and dealt with movement. But the talent generally would not see that. Especially if they're young people, they don't see that. They never see a play. And I encourage people, this is something that I know they would get something out of it, if you can afford it, by all means, see that. And of course, the problem is, the movie's much cheaper. It's no big deal but the ticket $45 and you go way up there, you know? Ninety bucks maybe, you're coming up for that. That's a lot of money. So when I talk to my people here, the young people, I'm very aware that we're talking money also. And it's easy for me, go and see the Ballet Rouse the next time they're in town, you know? But the cheapest seat is $45. So, you see, you have a little problem. So you have to be a little bit aware of that aspect of it. They don't have the money, you know? And so it stops there. But I try and push them into this other terrain, that they have never been exposed to before, you know? And so that's... I do that and sometimes it costs me money.