It's a question of it just happened... you're… you're aware. And it eventually becomes... It's just part of you, it's just part of you and you… you have it, you have it. And if you want to use it, sure, you can use it. It's no problem, nobody will sue you or whatever. So you can, you can. But it's what's the total… what the total experience that you have, is what you take with you, you know, to your studio and to your thinking. Because you say, 'Yeah', to yourself, 'Yes, sure, I remember that in Petrushka, there was such and such a scene happened', you know? Okay, I can use that and put it right into this moment that I'm working on right now, you know? And there's nothing wrong with that. But I knew every dance scene, well anything that moved, that danced, I knew. And I went and I saw that. Not once, not twice, but as often as I could have afforded, you know? But at the same time it helped me with my thinking, my work, yeah. But it's very important. Course when you live in New York, that's something else. Because everything is there, everything is in front of you, it's all… the city gives you all that. Well, today in Los Angeles, it's a hell of a lot better because all those people now come to Los Angeles. This is now a place for them to come because the population and all that. But you have to see what the hell is out there and who's doing what and that takes more than just one trip. You have to do several trips to find out. Also, either you enjoy it or you don't enjoy it, you know? If you don't have a feel for it, then just leave it, drop it, don't push it. Don't do it. But it's not going to look good, it's not going to look right, because you're fighting it, you know? And you shouldn't fight it, it should just fly out of you. And eventually it will do that. Also, it's easier than talking to people, because you're just looking at somebody else who deals with movement, you know? And movement is important, it's part of us.