It's a story of Rostropovich- Mstislav Rostropovich, the great cellist, who is thrown out of Russia because of his friendship with Solzhenitsyn and 17 or 18 years later, when things have changed in the Soviet Union, he was invited back, invited back with the New York Philharmonic and my brother and I accompanied him- accompanied him to Moscow and then to Leningrad. With him was his wife and his daughter who later became a cellist herself. So it was a family reunion with their friends as well as the performance. So there was very little then, and certainly now, of Russians at home with their friends and so this- that's a beautiful element in the film. And with all that wonderful music and the stories that they told of the old days- There's a beautiful scene where they revisit their dacha which the local people, at their own expense, kept, kept in shape so that if he were ever to return, he could go back. Well, there's a get-together of three or four of those people with Rostropovich. And that little conversation that they had was really- pulls you in with, with average Russians the way you would never get by watching a normal news event or newspaper in America.