Generally, when I travel with my work, the reception is always incredibly good. That's always a surprise that comes to you, that people are out there and they say, 'How come we don't see this? How come we don't see this?' Well, what are you going to tell them how come they don't see it? They don't see it because the majors are not making them and they have nothing to do with that. And simple as that. So they have to have a way of finding out where this show, this kind of exhibit, is taking place. Like Cindy that's running the CIO… CIO… CIA? I mean, she started with nine places, nine cities or countries, now that's up to 40. Forty different cities, countries and places are asking for the film. Now that's incredible. And they already… Because they have about two or three from yesterday, starting with Oskar Fischinger and people. And now it's got to the point where they want it tomorrow. And Cindy doesn't have that many prints, you know, to send it all over. But the response is enormous. Absolutely enormous. Out of six, the first catalogue, the first brochure, had about six stops, now it's twenty. Twenty different countries are waiting for… for the next print, which is all animation. And that's where it is today, so that's good. It is good but then it still doesn't come out of the industry, it comes out of the individual. But the individual… but then you'd be surprised how a short life they are. Some might be there twenty years or so, but in general, all of a sudden they disappear. And often it happens when they do a film. One film. You see, the second film was a big problem. So they've got two or three. Kathy Rose in New York is a good one. So she's constantly in motion and those things. She's good and she's inventive and then it's a question of people to go over and she gives a concert, you know? And when she gives a concert, the house is full, you know? But she is one. And there's two others, two other girls. But they're doing films, they're making films but they need about, let's say eight or ten films to put on a real program, you know? If you have about eight or ten films... because they're short, maybe six minutes the longest, eight minutes the longest. But if you have at least eight films, you can have an evening of animated film from a single person, which had nothing to do with the school.